Joseph's Glossary of Film Terms


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INDEX


D

day-for-night shooting
a shot taken during the day but filtered and printed so it appears to have been shot at night.
deep-focus shot
a cinematographic technique using short focal length lenses which renders in focus both near and far objects in the same shot.
dialectical, dialectics (critical term)
a methodological term originally used by the German thinker Hegel and later adopted by Karl Marx. Dialectical thinking involves the combining of opposing or contradictory ideas (thesis and antithesis) to create new idea (synthesis). Marx moved dialectical thinking from ideas to material events; this process is known as dialectical materialism. 
direct cinema
see cinéma vérité
director
the creative artist responsible for complete artistic control of all phases of a film's production; the director's role always involves interpreting the script and communicating this interpretation to the actors by directing how to act a particular role and/or scene.   Sometimes a director's duties also include casting, and editing.
director's cut
the last edited version of a film, as approved by the director--a director's cut clause in a director's contract guarantees the director this right to final approval
director's script
the script used by the director in shooting the various scenes of the film; such a script usually includes the director's handwritten notes regarding direction, blocking, etc.  
Director of Photography or D.P.
see cinematographer
dissolve, lap dissolve
an editing technique involving one shot gradually being replaced by another.
distributor
the company responsible for the distribution of the completed film to the exhibitors
docudrama
a dramatization of an actual event
documentary
a non-fiction film which usually, although not always, has a particular point of view regarding its subject matter; John Grierson of the National Film Board is known as the father of the documentary film; see also cinéma verité.
dolly shot, tracking shot, trucking shot
a shot taken from a camera mounted on a platform (sometimes referred to as a truck) which can move as the camera is running...some times these platforms are mounted on a track (much like a train track) so the dolly can be smoothly moved back and forth.   Hence. the term  "dolly" is used to refer to the action of moving the camera towards (dolly in) or away from (dolly back) the object that is being filmed.  First eight minutes of Robert Altman's The Player (1992) is filmed by a dolly shot.   A dolly shot is not the same as a zoom shot.  In a zoom shot, all objects in the frame remain the same relative to each other whereas in a dolly shot the content of the frame changes as the camera moves in or out. See also boom shot.
dominant contrast, dominant
the difference between the lightest and darkest areas of the scene being filmed
double exposure
the photographing of two or more images on a single film strip; the images may be side-by-side or superimposed
dubbing
See automatic dialogue replacement

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